• mixed technique on paper
• 56 x 38 cm
• whereabouts unknown
Les Oeillets aux Clefs (the pink carnations of keys) was painted using various mediums on paper. It is dated and signed 1967, and was verified as a genuine Dalí by Robert Descharnes. Les Oeillets aux Clefs fuses two common objects to create one Surrealist image. As with the Surrealist Lobster Telephone, Dalí has used living objects, the carnations, and combined them with an inanimate object, the keys. Like the telephone in Lobster Telephone, the inanimate objects are every day items, which would not normally attract much attention.
Dalí has included keys as a minor detail in other works, such as in the Composition of the Leg, where the key is part of a pattern on a woman's leg. Heavily influenced by Freud's theories, Dalí saw the key as a phallic symbol; given that flowers are generally seen as female in gender, this painting can be seen as a sexual metaphor. Out of one golden key is growing this strange plant. The three stems from the flowers are attached to the golden key and have themselves become keys, their handles locking on to the bottom key as if it were their root.